The Problem With Multi-Cable Camera Rigs
Broadcast and live production crews know the drill — running separate video, audio, and control cables from the camera to the CCU creates tangles, adds weight to the jib, and invites signal loss. Every extra cable is a failure point on set. Camera operators waste time untangling. Signal integrity drops over long runs. The rig gets heavier, slower, and harder to manage.
CANARE A2V2-L — One Cable, Three Signals
The CANARE A2V2-L is a composite camera cable designed to replace multiple individual cables with a single, integrated solution. It bundles coaxial video, balanced audio, and camera control lines into one lightweight jacket. Built by CANARE in Japan — a name trusted in broadcast since 1953 — this cable is purpose-built for mobile camera applications where flexibility, durability, and signal quality matter most.Whether you’re running a studio ENG setup, a sports broadcast rig, or a live event production, the A2V2-L cuts cable clutter, reduces rig weight, and keeps your signals clean from camera to truck.
Core Specifications
| Parameter | Detail |
|---|---|
| Model | A2V2-L |
| Brand | CANARE (Japan) |
| Cable Type | Audio/Video Composite / Camera Mobile Combination |
| Video Channels | 3 (75Ω coaxial) |
| Audio Channels | 2 (balanced) |
| Control Lines | Integrated |
| Jacket Material | PVC |
| Approx. Outer Diameter | 7–8 mm |
| Approx. Weight | 40 kg/km |
| Min. Bend Radius | 15 mm |
| Operating Temp | -10°C to +60°C |
| Impedance | 75Ω (video) |
| Connector Options | BNC, XLR, Multi-pin (customizable) |
Why Production Teams Choose A2V2-L
1. Rig Weight Reduction — One Cable Replaces Three or MoreInstead of running separate triax, audio pair, and control cables, the A2V2-L consolidates everything into a single jacket. On a jib or Steadicam rig, that weight savings adds up fast — less strain on the operator, faster repositioning, smoother shots.2. Shielded for Real-World EMIMobile production environments are noisy — RF from wireless mics, power from lighting rigs, inverters in OB trucks. The A2V2-L uses high-density braided shielding on each channel to block interference. Video stays clean. Audio stays quiet. No hum, no dropouts mid-broadcast.3. Built to Survive Tough ConditionsThe PVC jacket resists oil, abrasion, and UV exposure. This cable handles being dragged across studio floors, coiled and uncoiled dozens of times a day, and stuffed into tight cable runs inside a broadcast truck. It won’t crack, split, or stiffen in cold weather.4. Tight Bend Radius, No KinkingAt a 15 mm minimum bend radius, the A2V2-L routes easily through camera heads, jib arms, and cable drums. The internal construction prevents conductor fatigue even after repeated flexing — a common failure point with cheaper composite cables.
Application Industries & Use Cases
- Broadcast TV — Studio ENG cameras, studio-to-truck runs
- Live Events — Concerts, conferences, corporate productions
- Sports Production — Remote camera rigs, sideline feeds
- OB / Outside Broadcast Vans — Permanent or temporary cable infrastructure
- House of Worship — Multi-camera live streaming setups
- Corporate AV — Fixed or mobile camera installations
Any application where a camera needs video, audio, and control over a single cable run — especially where the camera moves.
CANARE Quality, Backed by Service
CANARE manufactures all cables at their facility in Japan. Every A2V2-L cable meets strict broadcast-grade tolerances. We stock standard lengths and offer custom builds — different channel counts, jacket materials, connector configurations, and lengths to match your rig.Need a sample before committing? Want a quote for a fleet of cables? Our team handles bulk orders for production houses, system integrators, and rental companies worldwide.Contact us today with your specs — we respond within 24 hours.